Do You Want

To Be A Comedian?



by Lin Stone

Working
the Audience



 

So there you stand, in the spotlight, calm cool, crazy.  But comedy is tough  Everybody in the audience is sizzling with one challenge, "Come on, MAKE me laugh." 

Make me laugh in spite of what happened at the office, in spite of what's going on at home, in spite of that big ticket, in spite of the bank threatening to foreclose. "Ah, phooey.  I came in here to laugh but this guy can't make me laugh. I can tell that right now.  Look, he's sweating already. He hasn't got what it takes, he hasn't even got two stale jokes to his name.  I'm going to throw some mud in his face if he lets me down like the last guy did!"

The world of comedy doesn't start and end with the audience laughing. The craft of making people laugh is constantly evolving and should regularly be honed so you will develop staying power.

Performing comedy on stage in front of a live audience is tiring and pressuring. No one can please everyone; comedians know that a joke or antic that has made some people laugh might not even make other people smile. Even seasoned comedians sometimes find several types of audiences hard to please. That is a hard reality about comedy. No material is good for all. When something falls flat, be ready with something else. Back in the old days when Bob Hope lost one he would say something like: “That's the last time I buy a joke from Jack Benny.”

There are many forms of entertainment and media platforms that become potent and effective venues for comedy acts. For example, some comedians are effective in acting out their antics through television sitcoms.

There are people who are into mimes, while others act clumsy on stage. One form of comedy that is rapidly gaining popularity nowadays is what the entertainment industry calls stand up or open-mike comedy.

These are currently the most popular form of comedy acts because it is interactive. The audience feels that every joke or act performed by stand up comedians is always fresh. Indeed, they are right.

The freshness of every open mike act comes with the motivation the comedian readily gets from the audience. Of course, good and receptive audience will always motivate a performer to do better and have more energy.

Fresh ideas will also come out of the comedian's mind during open mike sessions. That is because interaction with the audience almost creates that uncanny energy for the comedian to put up a spontaneous and natural act.

Stand up comedians also invoke laughter by ridiculing or making fun of the audience, a formula which some people find offensive, but is almost always hilarious to those not being laughed at.

Feedback from the audience is very important and inspiring. Thus, open-mike comedians are always recharged upon hearing comments from the audience.

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Do’s and don’ts - a simple checklist

There are practical should-do and should-not-do pointers that help every comedian, especially beginners, to overcome any obstacle while performing, and generally pull out a good and outstanding comedy act.

The should do list:

Prepare and master your material.
Know the audience, the demographics, the culture, races and religion. Avoid cracking jokes and antics that might seem offensive to some of them.
Prepare necessary props and costumes like wigs or sloppy clothes. Such items will enhance the presentation and create a good impression that the comedian really took time to prepare for the act.

Observe proper timing when throwing out punch lines or executing comic acts.

Develop an effective and striking rapport with the audience. This connection could be the key to opening up the hearts of the audience and setting their moods open to your hilarious antics.

Never run out of jokes. Do adlibs. Have spare jokes in case some of the items in your material don't work, or in case the audience screams for more.


Now, after knowing some of the recommended should-do, take note of the following shouldn't do's:

Don't recycle old materials from your peers. Don't plagiarize or steal materials and ideas from your fellow comedians.

Don't disregard the demographics and basic personal information about the audience.

Don't erform as if you are doing a monologue or just repeating memorized material.

Stick to the tried and tested jokes. Don't attempt to inject spur of the moment jokes and adlibs because the audience may not appreciate them.




How to handle hecklers

Aside from performing and getting the attention of the audience, the comedian should also develop the skill to handle possible disruptions from hecklers.

Inevitably, there will always be disturbances and unscrupulous people who would test the talents of the comedian or just aim to sabotage the entire performance.

A good comedian should always be prepared for such people and instances. The simplest and most effective measure would be to go on and pay little attention to the disruption.

If the heckler keeps on and grabs the attention of the audience, the comedian could be spontaneous and make a funny conversation that would be seen as a natural flow of funny events.

Otherwise, the security guards should always be on the look out, in case the comedian could not handle the unruly hecklers anymore.




Building Your Promo File



Comedy is an ever-expanding and evolving entertainment sector. There are thousands of comedians that are already dominating scenes and starting to make their own mark in performance venues.

That is why competition among comedians gets more intense. With the increasing volume of comedians, the market is becoming more selective, and the number of venues shrink, giving way to only a few outstanding comedians, with a new supply struggling to get there.

So where do comedians go when they don't measure up? They quit the business, get other careers, or wait indefinitely until new opportunities arise.

For beginners, it would be a tough challenge to establish a niche and identity in the current comedy scene. The challenge to break through is always an obstacle that is reached only by a limited number of performers.

For experts, the challenge would be how to tap that staying power to guarantee his job despite the entry of new, fresh and even more talented comedians.


The promo file

Comedians, just like other talents, should always keep and update their own promo files. The promo file is a portfolio containing the necessary items that would serve as references about the comedian.

As for the employment lingo, the promo file is the equivalent of a resume, a document that outlines the job applicant's competence, experiences and relevant knowledge.

The promo file should contain demo tapes, which serve as a sample of outputs, materials or experience, press kits, or press-release statements for promotion, and of course the bio or biographic details.

The promo file is a comedian's passport to securing regular and even contractual performance gigs. Thus, it should be regularly and appropriately updated. Make your promo file as presentable as possible to make sure those people and prospective employers who get hold of it would create a good impression of you.

Preparing the promo file

Before walking into the entertainment scene for comedy, the aspiring comedian should make sure he has an accessible and presentable promo file.

The promo file should speak on behalf of the comedian and should be persuasive enough to convince a prospective boss to employ the comedian.
To prepare the promo file, there are a few simple guidelines that you should follow. Here they are:

Make the resume or biographical information as comprehensive as possible. Take particular emphasis on your experiences, education and of course, references.

Unlike common notions, the biographical information should be written in a way that it is serious enough to be taken seriously by the prospective employer. Others employ funny gimmicks to present their biography. Don't fall into that trap. There will be enough uses for your creative juices in other equally significant portions of the promo file.

The demo tape should be handy and should use quality tapes, so too the screen quality of the video, if it’s a video, should be superb.

Make sure to put up your funniest comic antics on the demo tape. That way, you can demonstrate your effectiveness in making people laugh or back your claim that you are a good comedian.

Make the demo tape entertaining enough, but don't make it more than a few minutes long, unless a prospective employer specifically requires a longer tape. That way, you would be able to keep your mystery and be able to create an impression that you still have more in store.

The press kit should be written particularly for dissemination. Make a press release of yourself. This is the part where your most creative and hilarious ideas should show off. The press kit is a run down statement about how you would handle the situation when you are asked to advertise yourself.

Applying for a comedy performance gig or job will also entail luck on the part of the comedian. Be aware that sheer talent and natural humor is necessary, but they're not enough.

Determination will be a driving force. Combine them all, and you'll have the luck it takes to be able to land that comedy job or gig for showcasing your talent.


Click HERE for Chapter Five
 

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